contexte (a toi de voir el relevance): toile heki 3ansi meli kont fil college, my dad chreheli bech ne5dm 3leha peinture a lhuile amongst other toiles. it sat in my room for years. when i moved hazitha m3aya. a un certain moment sawart 3leha 7aja (tofla cramped 9a3da fil tableau seen here :https://www.instagram.com/p/CwIDTKOoReq/?img_index=5) i hated it, so dhentou blanc w 9olt bech n3awed faces 01 ama akber, w more ambitious. 

houni we can merge in the text li we can include the text mta3 sousse:

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Faces approaches repetition as a human process shaped by time and attention. Each portrait develops through accumulated gestures. Every return to the same subject produces variations instead of duplication. The differences are small but persistent, they reflect shift in state, context, focus and material interaction.

This project took multiple months, each session begins with available materials, mainly acrylic remnants from previous work.These elements are reused and recombined, the canvas becomes a record of continuation & repurposing, here the residue circulates and doesn’t disappear.

Through this process, I’ve been facing questions of use and limitations. I tried working intentionally with what is present instead of introducing constant new supply. Valuing what is usually left aside and what keeps material in active use.

In a world where Artificial Intelligence produces images through rapid output and large scale infrastructure, art became immediate and immaterial.

In truth, it depends significantly on energy consumption, water use, theft, and data processing. The price of instance remains outside of the generated result.

The AI systems, often referred to as tools, changed the core of “creating”. They actively reduce the role of physical engagement, intention, delay, and error in the process.

Faces resists this instance.

It relies on manual repetition & physical adjustments.

Each face is born from a certain environment through time and correction. The process depends on limits (feelings, mediums, time, place….) which shapes the outcome.

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